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A Tribute to Grover Washington Jr. and Bill Withers
November 24 @ 7:00 pm
Seating: We assign seats in order of when you purchase your tickets. All reservations are subject to a food and drink minimum of $15 per guest. Gratuity of 20% is automatically added to all food and beverage purchases.
Box Office: The Tin Pan charges lower fees for box office versus online sales. Our box office is open Tues-Sat 12PM-5PM. Please visit us during those hours or call 804-447-8189.
Most artists who put a “Doc” in their name do it out of cleverness, for marketing reasons, or as a crafty way to express their mastery of their instrument or vibe. Since the release of his 2003 debut Saxappeal, Phillip “Doc” Martin has all that down pat, wowing audiences everywhere from Blues Alley in D.C. to the St. Lucia Jazz Festival and the Catalina Island JazzTrax Festival and earning inspiring amounts of airplay (including on XM Watercolors and The Weather Channel) for tracks like “Deep Pockets” and the title track from his 2009 set Realization. His latest Next Paradigm Records Self-Titled release, Phillip Doc Martin further establishes this powerful expertise via his dynamic flow and tight, funky old school driven alto vibe.
While many independent artists with cool, successful “day jobs” prefer to avoid references to them when they talk about their music, Martin is the complete opposite, fully embracing the inspirational factor of being a top notch practitioner in two very different professions. Beyond his ever-expanding musical fan base, hundreds of patients in the Washington DC area know him as “Dr. Martin,” a board certified dentist at his own practice Quality Dental of Bowie.
Born in Indiana to Jamaican parents, Martin grew up in South Florida and began playing music in the Broward County public school band program. Developing his fiery performance style by age 14, he became a leading soloist at South Plantation High School Jazz Band and was honored as a first chair selection to Florida’s All State Jazz Band. He went on to study music at the University of Central Florida, where he was soon invited to play as a sideman with Grammy Award winner Sam Rivers, Grammy nominee Kirk Whalum, Sunnie Paxton, Wes Hamrick, Davonda Simmonds and Sisaundra Lewis and the Sounds of Soul.
As Martin continued to hone his skills, he became influenced by influential sax players from across the traditional and smooth spectrum, including Charlie Parker, Everette Harp, Grover Washington Jr., Dave Koz and Gerald Albright. His appeal as a live performer has secured him shows at prominent venues like Ram’s Head Tavern in Annapolis, Maryland, Philadelphia’s Dell East and SoCal’s Spaghettini, in addition to appearances at the Bahamas Jazz Festival, Carolina Music Festival, Trenton Jazz Festival and Berks Jazz Fest.
Because of the financial ups and downs of being an independent artist, Martin made an important life decision to become a dentist, moving to the Metro DC area to attend Howard University College of Dentistry, where he received his degree and certification. His love of music and his commitment to dentistry were both so strong that he rebranded himself as Phillip “Doc” Martin and relabeled his early releases under that name so new fans could find them. With the release of 7 records and continuing in his thriving practice, he is showing the world that a person who dreams big can succeed at anything they set their mind to – even two professions at the same time!
“The truth is, as frustrating as things became for me as a musician over the years, I couldn’t put the sax down,” he says. “My first love was always playing the sax, and I continue to strive to be the best sounding alto player you’ve ever heard. I wanted to quit man times, but playing brings me so much joy, and I’m so glad I made the decision to continue. If it’s unheard of that a saxophone artist also wants to be the best dentist you’ve ever gone to, that’s a testament to the hard work I have put in so that I may enjoy these two amazing careers. In both worlds, success comes from working with incredible, dedicated people and developing inspiring, enduring relationships.”
Eddie Baccus Jr.
WHEN EDDIE PLAYS –
His saxophone creates timeless memories, each note creating moments that linger in our hearts forever.
As a touring member of Pieces of a Dream for a decade and a half, Baccus Jr has had the opportunity to perform with and alongside a virtual who’s who in the traditional jazz, urban jazz and R&B worlds: Luther Vandross, Jeffrey Osborne, George Duke, War, Candy Dulfer, Rick Braun, Grover Washington Jr, Bobby Watson, Greg Abate, Lester Bowie, EWF(Earth, Wind and Fire), Regina Carter, Dianne Reeves, Vesta Williams, Norman Conners, India Arie, George Benson, Miki Howard, Jean Carne, David Sanborn, Brian McKnight, Will Downing, Phil Perry, Najee, Gerald Albright, Kirk Whalum, Marcus Belgrave, Benny Golson, Russell Ferrante, Bobby Lyle, Jeff Lorber, Ricky Lawson, Aaron Graves (Piano “Little Jimmy Scott”), Lenny Castro, Rachelle Ferrelle, Lil’ John Roberts, Phil Davis, Chris Coleman, Andre Gouche’, Giovanni Hildago, Eric Marienthal, James Carter, Curtis Fuller, Regina Belle, Miki Howard, Allyson Williams, Norman Connors, Atlantic Starr, Ronny Jordan, Rhonda Smith (Prince’s Bass Player), Gerald Veasley, Average White Band, Stevie Wonder, Peter White, Walter Beasley and more recently Four80East, Brian Simpson, Lindsey Webster, Cameo, Brother 2 Brother, Glenn Jones, Cabo Frio, Groove Frequencies, Christian De Mesones, Bene Music, Utopian Dreams and Joe Lovano.
On a national and international scale, Baccus Jr has shined on the stages of many noteworthy venues including: The World Trade Center-NYC; Blue Note-NYC & Tokyo; Kimbles East-Oakland; Yoshis-Oakland; Cotton Club-Tokyo; Tangier-Akron; Sydney Opera House-Sydney; Chene Park-Detroit; Village Vanguard-NYC, Spaghettini-Orange County; The Forum-Inglewood; Helwig Winery Amphitheater-LA; Gillys-Dayton; Kuumbwa Jazz Center-Santa Cruz. Eddie’s band has performed with singer Vesta at the awards ceremony for the annual “100 Black Men” event in Ohio to an audience of 2,000 and has toured behind Angela Bofill and Frank McComb. He has also played the national and international jazz festival circuit to include but not limited to: Montreux Jazz Festival; Copenhagen Jazz Festival; North Sea Jazz Festival; Umbria Jazz Festival; Edinburgh Jazz & Blues Festival; Capital Jazz Festival & Cruise; San Antonio River Walk; DC Jazz Festival; Jazz in the Gardens; Toronto Jazz Festival; Xerox Rochester International Jazz Festival; Hampton Jazz Festival; Juneau Jazz and Classics Festival; Reno Jazz Festival; Jacksonville Jazz Festival; Newport Jazz Festival With the release of “Living the Dream”, Baccus Jr will be embarking on his first solo tour in 2019.