Paul Thorn – SOLD OUT
September 17 @ 8:00 pm - 10:00 pm
Seating: We assign seats in order of when you purchase your tickets. All reservations are subject to a food and drink minimum of $13 per guest.
COVID-19 Policies: As live music reopens across the country, we, along with other venues, are prioritizing the health and wellness of our guests and staff while closely monitoring all government guidelines and recommendations regarding the spread of infectious disease. We anticipate having limited venue capacity and requiring face coverings for all staff and guests for the foreseeable future. Additionally, tickets will only be available for parties of 2 or larger, due to social distancing restrictions.
Box Office: The Tin Pan charges lower fees for box office versus online sales. Our box office is open Mon-Fri 12PM-5PM. Please visit us during those hours or call 804-447-8189.
“This is the culmination of my whole life in music, coming back to my gospel roots,” says Paul Thorn about his newest album, Don’t Let the Devil Ride. “My message on this record is ‘let’s get together’—I want to help lighten your load and make you smile.”
The son of a preacher man, Mississippi-raised Thorn spent much of his childhood in church, participating in multiple weekly services with his father as well as at neighboring African American congregations, where he became entranced with the music whose infectious spirit is captured on the new album.
Don’t Let the Devil Ride collects soulful songs originally cut by black southern gospel groups, and features guests Blind Boys of Alabama, the McCrary Sisters, the Preservation Hall Jazz Horns, and Bonnie Bishop.
The album was recorded at three temples of sound: the Sam C. Phillips Recording studio, whose namesake gave another son of Tupelo his start; at FAME Studios in Muscle Shoals, where Thorn worked as a songwriter for legendary producer Rick Hall early in his career; and at Preservation Hall, where horn players from the celebrated jazz venue lent songs a New Orleans vibe.
The new release marks Thorn’s first time recording gospel music, after a dozen albums in roots-rock mode, though his upbringing has previously been reflected in his creation of a body of strikingly original songs. In his own songwriting, Thorn often addresses the foibles of human relationships, although he doesn’t favor the sacred over the profane.